

Tom Wolfes book The Electric Kool-Aid Acid Test describes the 1964 bus trip that Ken Kesey (author of One Flew Over the Cuckoos Nest) and the Merry Pranksters took from Oregon to New York to visit, among others, Timothy Leary and Jack Kerouac. Kesey was instrumental in the creation of the counterculture of the 1960s, a time in U.S. history that is synonymous with hippies, war protests, Vietnam, Johnson and McNamara, the Chicago Seven, marijauna, and LSD. The colorful bus in the picture above was seen on a Los Angeles street last May and, while not the original Prankster vehicle, it embodies the Keseyan free spirit and social concern that is still alive today. In place of hippies, there are school teachers, firemen, bankers, librarians, and grandmothers, all protesting the Iraqi conflict of Bush and Powell. The Chicago Seven has been replaced with anyone detained by the Patriot Act; and the drug of choice is now the triple-shot, mocha latte. The times, they are a-changin.... —or are they?
News Flash!: Be sure to tune-in to the October issue, which will feature the works of 27 artists and photographers, donated to an auction sponsored by TheScreamOnline to raise money for ALS (Lou Gehrigs disease). You will have 10 days to bid online for some wonderful art and photography.
ART
Don
Sahli, a former student and protegé of Sergei Bongart, is a
successful Colorado artist whose wintry plein-air paintings embody
the rich legacy of his Mentor, and those who came before, such as Peter
Kotov, Nicholai Fechin, and Ilya Repin.
One of the most significant and innovative sociological experiments in recent
history is the 1000 Journals
Project in which one-thousand blank journals were sent around the globe
for people to add their illustrations, ruminations, rants, doodles, and
then send on to others to do the same.
PHOTOGRAPHY
Former U.N.
photographer John Isaac contributes another fine series of work, this time
depicting his trip to the American
Southwest.
More entries
from our popular Photo Gallery.
MUSIC
If you bought
a Zenith cabinet stereo in 1964, you probably would have also received a
demonstration record of 18 tracks of lush orchestral, easy-listening hits
with Mike Wallace providing the
voice-over to laud the new Zenith Micro-Touch 2G Tonearm. It seems like
only yesterday....
FILM
When Director Sam Balcomb (June 2001 artist) posted the much-anticipated trailer for his film Ancanar on
his website, he had half-a-million hits in two hours, which closed down the server. It was then hosted on ifilm.com and became the #2 most-downloaded short on the site. See it here.
FICTION
Robert Grudins
The Most Amazing
Thing begins with Desmond Ruck in a motel with his earlobe shot
off, an unconscious woman in the bed, and a fortune in cash inside a bullet-riddled
van parked outside. And thats just the beginning of the ride of the
century. We are proud to present the first three chapters.
WRITERS’ COMPETITION: TheScreamOnline's first International Short Fiction Competition, with $300 cash award and publication in the January 2004 issue. Deadline: October 1. Click for details.
Read the 2003 Bulwer-Lytton Bad Fiction Contest results. Remember It was a dark and stormy night?
NONFICTION
Hanah Exley visited
Xining, China, in 1990 to attend the annual Sunning
of the Buddha festival. Read her account of this most unusual
ceremony, richly illustrated with her photographs.
In Computer Intelligence,
the editor writes, Asleep at the wheel, dolt at the helm—call
it what you will—its usually impossible to be guilt-free in
the face of a very logic-based machine.
EPIPHANIES
Silence...
is truly the language of the spirit among the Indians who feel that
it is only white men who require the turning on of the wind-mill machine,
as I have heard them call the long-winded conversations of their pale-faced
friends. —by David Villaseñor.
POETRY
When Charles
Fishman writes We wanted to walk where Yeats had stitched his
lines... he proves that he, too, is a master weaver of words.
EDITORIAL
Why do
we have to continually repeat the same mistakes in history over and over
again? Why cant we learn from others who have already tread these
well-worn paths? —asks
the editor in The Collective
Experience.
COMMENTARY
Rob Woutat laments
the continuing demise of the English language in So
Im Like, Who Cares? —and not to be outdone by Edgar
Allen Poe, he presents us with The Curse
of Donald MacCrimmon (not for the squeamish or faint of heart).
The U.S. Supreme Court has upheld a federal law requiring public libraries to install web filtering software or lose their funding. Which sites have been blocked from public access for using the word breast? Stay abreast of the situation by reading Zeldman.com (scroll down to Supremes blow it: bad filters are here to stay).
Every gun that is made, every warship launched, every rocket fired, signifies in the final sense a theft from those who hunger and are not fed, those who are cold and are not clothed. —President Dwight D. Eisenhower. The cost of the war in Iraq, to date.
STRANGE & BIZARRE
The code behind
any web page is strange enough to most persons, but the code behind this
image is even stranger.
Convicted child-killer Susan Smith wants a pen pal.
TECHNOLOGY
Learn how to
give your digital snap shots a classy and formal look by framing them with
our own very easy-to-learn Photoshop
technique.
QUOTATIONS
Our continuing
compendium of
favorite quips, from Woody Allen to Henny
Youngman. Those are my principals. If you don't like them, I have others.
—Grouch Marx.
BOOKS
Want some suggestions for good reading? Check out TheScreamOnline
Bookshelf. Buying books through these links can help keep us afloat.
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can't annoy somebody, |
We
lost our freedoms The
broad mass of a nation |
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The Fine Print
Publisher/Editor-in-Chief
Stuart Vail
Contributors
Hanah Exley, Charles Fishman, Robert Grudin, John Hargrave
Stormy Hunter, John Isaac, Don Sahli, Brian Singer, Stuart Vail
David Villaseñor, Joanne Warfield, Rob Woutat

Correspondence:
stuart*AT*thescreamonline.com
(replace the *AT* with @)
"Cody"
©2001 Mary N. Balcomb
Splash
page art: "Woods Davies' Rock Pile" ©2003 Stuart Vail
"Can Kesey Drive?" (top of this page) ©2003 Stuart Vail
Art
Direction & Site Design: Vail Graphics
Creative
Consultant: Joanne Warfield
The ScreamOnline
logo, images, and written material are
©2001, 2002, 2003 Stuart Vail unless stated otherwise.
All artists and writers retain their own copyrights.
The copying or distribution of any material for commercial gain
is strictly prohibited unless authorized by the webmaster.
All Rights Reserved
Disclaimer: While we applaud innovative ideas and concepts, opinions expressed by articles in TheScreamOnline do not necessarily reflect those of the editor/publisher, staff, or anyone connected with the magazine. We fully respect those who have an opposing point-of-view and welcome any feedback by concerned readers who wish to communicate accordingly. Vive le difference!
TheScreamOnline
regretfully cannot accept
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